Everywhere, everywhere, dream-like black-and-white photographs, many with Spanish titles, stop you in your tracks.
And this is where somebody works?
Read the article: Suzanne Stouse, The Times Picayune, October 29, 2011
In Ms. Schwartz’s meticulous, mischievous pieces … and in Ms. Sacabo’s ghostly, smoky female figures, you can see the collision of magic realism, allegory and surrealism. It’s a territory of fallen angels, omnivorous ancestors and all manner of fantastic creatures.
Read the article: Penelope Green, The New York Times, September 28, 2011
Opening Reception with the Artist
Saturday, October 4, 2008, 5-8pm
A Gallery for Fine Photography
241 Chartres Street, New Orleans
For more information about Lux Perpetua
For more information about Nocturnes
That was when she realized that this beautiful woman was her mother, not as she knew her in recent years, but as she was in Sacabo’s early childhood, a time when dreams, spirits and reality intermingle, and when mothers and daughters share idealized views of each other.
Read the article: D. Eric Bookhardt, Gambit Weekly, April 10, 2006
Opening Reception with the Artist
March 25, 2006
A Gallery for Fine Photography
241 Chartres Street, New Orleans, LA 70130
www.agallery.com
For more information about A Geometry of Echoes
at A Gallery for Fine Photography, the melancholic mood continues with A Geometry of Echoes, the dark, deeply nostalgic series of pictorialist photos by romantic master Josephine Sacabo.
Read the article: Doug MacCash, The Times Picayune, 2005
“I find my models incredibly beautiful. I try to create photos of them alone with themselves, as if I’m not there, or as if I’m a child looking at something I don’t understand and am not part of.”
Read the article: Katharine Hibbert, The Sunday Times Magazine, August 14, 2005
Opening Reception with the Artist
October 4, 2003 5-8pm
A Gallery for Fine Photography
241 Chartres Street, New Orleans, LA 70130
www.agallery.com
For more information about Ophelia’s Garden
In Susana, Sacabo had found the catalyst for all her passions to come together: acting, literature, and photography. Susana was also like a magnet, unearthing unresolved issues of Sacabo’s past. Working locations from San Antonio, to the southern tip of Mexico, to her studio, Sacabo inhabited Susana, breathed the fetid air that suffocated her, saw Susana’s strength and struggle come alive in her model.
Read the article: Mary Ann Lynch, Camera Arts, August/September 2003
Artist Reception and Book Signing
November 8, 2002 5-8pm
A Gallery for Fine Photography
241 Chartres Street, New Orleans, LA 70130
www.agallery.com
For more information about Pedro Paramo
Opening Reception with the Artist
April 17, 1997, 6-9pm
A Gallery for Fine Photography
241 Chartres Street, New Orleans, LA 70130
www.agallery.com
For more information about El Mundo Inalcanzable de Susana San Juan