The Tagged series is Sacabo’s affirmation of female personal identity in the face of the depersonalizing graffiti she confronts on the daily walk from her home to her studio. Her characteristically romantic portraiture appears overlaid with, and negating, the rude words and drawings, some of them too obscene for reproduction in some social media or print outlets.

Read the article: Jerry Cullum, ArtsATL, October 8, 2018.