As an artist who spent much of her life exploring the poetics of the feminine with the French Quarter as a backdrop, the messaging of the graffiti struck her as a personal affront. She decided to transform what she saw into something new: a body of work that involved the direct confrontation of her feminine poetics with the graffiti she found so disorienting.

Read the article: D. Eric Bookhardt, Gambit Weekly, October 22, 2018.