Here [Sacabo’s] imagery appears to bypass the concerns of place seen in her recent work based on French Quarter graffiti and the iconography of old Mexico, and take its cues directly from the near-seamless mix of dreams, art history and poetry that inform her vision.
Read the article: D. Eric Bookhardt, Gambit Weekly, November 11, 2019
A purveyor of this historical and photo-mechanical process, she made the transition from gelatin silver prints to photogravure during the takeover of digital, which resulted in the disappearance of her favorite papers. One cannot help but be pulled in by the subtle and elegant details brought out by the photogravure process, that of which Josephine is a master.
Read the article: Michael Wilkerson, Analog Forever Magazine, October 7, 2019
Josephine Sacabo has been very busy, but honestly, I don’t know of a time that she hasn’t been consistently creating spectacular work and books. Her approach is mysterious, full of romance and memory, each effort bringing something unique and otherworldly to her art making.
Read the article: Aline Smithson, Lenscratch, September 30, 2019