A purveyor of this historical and photo-mechanical process, she made the transition from gelatin silver prints to photogravure during the takeover of digital, which resulted in the disappearance of her favorite papers. One cannot help but be pulled in by the subtle and elegant details brought out by the photogravure process, that of which Josephine is a master.

Read the article: Michael Wilkerson, Analog Forever Magazine, October 7, 2019